Wikipedia

“Gimme Shelter” – #SaveWILG Version

What my #SaveWILG campaign is in need of right now is an updated theme tune. At the moment, WILG recipients find themselves in a state of limbo without any clear direction on the way forward. Local authorities are of little support and the onus seems to be upon the Welsh Government to push through their new policy – that will replace the Welsh Independent Living Grant – ASAP.

I have received several encouraging emails from the Deputy Minister for Health and Social Services and the civil servants who are responsible for creating a new policy from scratch. I am confident that the work is going on behind the scenes, but it is really frustrating that there has been little progress since the Welsh Government announced that they were listening and protecting WILG recipients, back in February.

Leanne Wood AM has been calling on the Welsh Government to publish a timetable for the WILG transition process. she asked the Welsh Government, when the warm words of support they have given will be matched by deeds?

It would help a number of us who are really struggling at the moment to have an opportunity to plan for the future. I have spent the last two Christmas periods chained to my laptop and unable to join in with family celebrations due to the pressures of this campaign. Will I have to spend a third Christmas in such a way?

I hit upon the idea for this blog while watching the Rolling Stones Story at Glyndwr University on Friday night. This was a really good gig and an excellent tribute act to the ageing rock band. All of the hits were played in familiar fashion with an energetic “Mick Jagger” giving an excellent performance which married supreme confidence with a camp as Christmas performance. One of the many highlights of the show was the performance of the classic Stones hit Gimme Shelter.

Without permission, I have took it upon myself to change the words to this popular hit, in order to make it fit with the campaign. Anyway, see for yourself with the video of the Rolling Stones posted below the lyrics, so you have no excuse not to sing along. I have also added a few paragraphs from Wikipedia about the Rolling Stones. I do hope there are no copyright issues over the use of this tune as I am giving the writers full credit and not claiming any credit for myself.

I hope you like my new version.

“Gimme Shelter”

Oh, a storm is threat’ning
My very life today
If I don’t get some shelter
Oh yeah, I’m gonna fade away

Hope, comrade, it’s just a WILG away
It’s just a WILG away
Hope, comrade, it’s just a WILG away
It’s just a WILG away

Ooh, see the clock is tickin’
On our rights today

Fighting for our futures
We will not fade away

Hope, comrade it’s just a WILG away
It’s just a WILG away
Hope, comrade, it’s just a WILG away
It’s just a WILG away

Peace, freedom!
It’s just a WILG away
It’s just a WILG away
Peace, freedom!
It’s just a WILG away
It’s just a WILG away
Peace, freedom!
It’s just a WILG away
It’s just a WILG away

The floods is threat’ning
My very life today
Gimme, gimme shelter
Or I’m gonna fade away

Hope, comrade, it’s just a WILG away
It’s just a WILG away
It’s just a WILG away
It’s just a WILG away
It’s just a WILG away

I tell you death, comrade, it’s just a tick away
It’s just a tick away
It’s just a tick away
It’s just a tick away
It’s just a tick away
Tick away, tick away

Gimme Shelter” is the opening track to the 1969 album Let It Bleed by the Rolling StonesGreil Marcus, writing in Rolling Stone magazine at the time of its release, praised the song, stating that the band has “never done anything better”.

Although the first word was spelled “Gimmie” on that album, subsequent recordings by the band and other musicians have made “Gimme” the customary spelling.

The recording features Richards playing in an open tuning on electric guitar. The recording also features vocals by Merry Clayton

 

More Questions than Answers…

It has been an exciting period for the #SaveWILG campaign after we made a huge breakthrough a couple of weeks ago. We are now in a position of working with Welsh Labour rather than campaigning against them, which is a position we are all happy with.

BREAKING NEWS… #SaveWILG

WREXHAM MAN’S DISABILITY CAMPAIGN WILL LEAD TO THOUSANDS OF LIVES BEING IMPROVED.

However, amidst all the congratulatory messages and kind words that I have received in the past few weeks, it has become clear that there is still much work to be done in order to protect independent living for WILG recipients.

While it is clearly a positive that the transition period has been paused and WILG recipients are now entitled to a independent social worker to help decide on their care package, there remains much uncertainty and confusion about the next steps. At the moment, WILG recipients – including myself – are stuck in limbo land between clueless local authorities and a Welsh Government that has to focus on Brexit. 

In the meantime, 1,300 or so disabled people with high care and support needs are suffering. We have every reason to be proud of what we have achieved, but there cannot be any celebration until each one of us are living the lives we deserve to be.

In the days since Deputy Health Minister Julie Morgan announced her new and exciting plans I have received many emails from confused recipients who want to know what happens now. People have been going through stress and worry about the loss of WILG since November 2016 and the confusion remains.

We need a clear timetable from the Welsh Government of when we can expect our reassessments to take place as people are continuing to struggle without adequate support. A timetable would allow people to plan their lives and provide them with tangible hope for the future.

Looking at the statement produced by the Deputy Minister for Health and Social Services on February 12, I personally think that every WILG recipient should have a firm offer of a reassessment under the ‘revised arrangements’ with an explanation as to why this is happening. The onus should not be on the recipient to request a reassessment. Those who have had a reduction or had their care provision frozen should all be reassessed under the tripartite system.

Mark Drakeford’s new Welsh Labour brand, should be proud of listening to the concerns of disabled people and their families and acting accordingly,  but they need to act urgently to put their promises into action and provide us all with answers to our questions. We are doing our best to understand that the wheels of politics do not tend to run quickly, but unfortunately patience is not a virtue that WILG recipients can afford. 

We have written to the Deputy Minister for Health and Social Services and await her response with anticipation. 

Thanks to Wikipedia for the following:

John Lester “Johnny” Nash, Jr. (born August 19, 1940) is an American reggae and pop music singer-songwriter, best known in the US for his 1972 hit, “I Can See Clearly Now“. He was also one of the first non-Jamaican singers to record reggae music in KingstonJamaica.[1]

Where Do You Go To My Lovely?

I was watching BBC Four late last night in an attempt to tire myself out so I was more likely to sleep through the night.  They were showing a programme entitled  One Hit Wonders.  

One of the artists featured was Peter Sarstedt who was singing Where Do You Go To My Lovely?  I have included a YouTube video of him performing this song below and the full lyric and some information from his Wikipedia page.  In no way am I claiming any association with this artist or his work, but while I was listening to his crooning I stumbled across an idea for the following blog.

It was the chorus that I found particularly inspiring:

But where do you go to my lovely
When you’re alone in your bed?
Tell me the thoughts that surround you
I want to look inside your head, yes I do

Do you really want to know, Pete?

When I am alone in my bed, this is when I feel at my most vulnerable.  I cannot move at all or get up for a midnight snack. If the heating needs turning up, then I am forced to freeze until assistance arrives in the morning. Likewise, if I need to open the window to get some fresh air then this is not an option.

Trapped in a single position all night is not something that anyone should have to endure in 21st Century Wales. Just this morning, my PA pulled back my duvet to discover that my right leg was discoloured and swollen. Something that probably wouldn’t have happened if I had received the overnight assistance that I need to re-position myself. [I have had to call the out of hours doctor to advise me on the swelling that I am suffering. I have contacted the Community Nurses to report the issue and they directed me to the emergency GP service for fear that I may be experiencing blood clots. If only I could move my legs at night – something I can only do with the assistance of overnight support].

In addition, I should be wearing hand splints to keep my hands from curling into a fist, which would then aid my dexterity. I also have a T-bar that I should use underneath my knees whilst sleeping to keep my legs nice and straight. I can’t use this whilst I am alone at night because there is no space between my legs to place my urinal. Are you beginning to feel the same sense of injustice that I feel every night?

Last night was a particularly windy evening. My PA left my window ajar before leaving my property at 23.00. At 06.00 I was awoken by the sound of my blinds clattering together. My window had blown open further and the wind force was reaching gale proportions. I was dithering under my duvet and had to disrupt my father once again to perform the simple task of closing my window for me. Why should a 68-year-old man,with arthritis in both hands, have to expend all his energy in the middle of the night to come to the rescue of his guilt-ridden son?

Should a fire start in one of the other rooms of my bungalow, then I am toast. I would have no means of escape and this could be solved so simply… Instead, Wrexham Council think it is a good idea to lavish £250,000 on renovating our perfectly well equipped bus station.  Subsequently, the thoughts that surround me mainly revolve around my dislike and distrust of a Conservative/Independent led Local Authority and how I can survive under their influence until the next Council elections.

You wanted to know Pete…

Where Do You Go To My Lovely? Lyrics  

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Peter Eardley Sarstedt[1] (10 December 1941 – 8 January 2017), briefly billed early in his career as Peter Lincoln, was a British singer, instrumentalist, and songwriter. He was the brother of musicians Eden Kane and Clive “Robin” Sarstedt.

Although his music was classified as pop, it generally encompassed ballads derived from traditional folk music rather than traditional rock and roll. He was best known for writing and performing the song “Where Do You Go To (My Lovely)?“, which topped the UK Singles Chart in 1969. Set to a “faux European waltz tune”[2] and described as “a romantic novel in song”,[3] it won an Ivor Novello Award. The record remained Sarstedt’s biggest hit, despite his releasing numerous successful albums and singles from the late 1960s onward.

He continued to tour throughout the 1980s, 1990s, and 2000s, mainly in 1960s revival-type shows, until his retirement in 2010 due to ill health.[4]

 

No Fun #SaveWILG

I would like to dedicate the following song to everyone at WCBC and the Welsh Government.

I am really struggling at the moment due to inadequate hours of care and support and not being able to use my direct payments in the way they are intended, thanks to an inept local authority that are failing in their duty of care. I wouldn’t mind, but I have been warning everyone that such a situation would arise if the responsibility for social care was given entirely to local authorities.

Nights like the ones described in this blog are definitely no fun for me and I struggle to believe that I am having to live the way I do in a supposedly civilised Western country at the beginning of the 21st Century.

I will continue to do everything I can to make sure that disabled people with high care  and support needs do not have to put up with such inept treatment in the future…

Please note that I am not claiming any association with this song or the songwriters. No Fun was originally a song by The Stooges and information about them – and the Sex Pistols – can be found at the foot of this blog. All of this information has been copied from Wikipedia.

No Fun Lyrics – Preformed by the Sex Pistols

Right here we go now
A sociology lecture
With a bit of psychology
A bit of neurology
A bit of fuck-ology
No fun

Right no fun
My babe no fun
No fun
My babe no fun
Fun to be alone
Alone and by myself
Fun to be alone
In love with nobody else

No fun
My babe no fun
No fun
My babe no fun
Fun to be alone
Walking by myself
Fun to be alone
In love with no friends of mine

Maybe going out
Or maybe stay at home
Maybe call somebody on the telephone
So c’mon my baby c’mon
So c’mon
I’m alone
Having no fun by myself
This is no fun with nobody else
I’m all alone
By myself
I’ll be alone
Nobody else
It’s no fun
It;s no fun all alone
All alone no fun
All alone
No fun
I’m alone
I’m alive
I’m alone
And i’m waiting to have my fun
I’m waiting ain’t got no one
I’m all alone
This is no fun
No fun
All alone
I’m alive
No fun
I’m alive
I’m alone

No fun
No fun
No fun
My babe no fun
Fun to be alone
Walking by myself
Fun to be alone
In love with nobody else

Maybe go out
Maybe stay at home
Maybe call somebody on the telephone
So c’mon
I’m all alone
So c’mon
Oh come and play
I’m alone I’m alone
With nobody else
I’m alone I’m alone

All by myself
And I want some fun with somebody else
My baby’s alone on the lavatory
My baby won’t come play with me
I’m alone
All alone
I’m looking at the telephone
I’m alone
All alone
I got nobody else
I want my fun
I’m gonna make my own fun
All alone
I’m alive
It’s no fun
I’m alive
No fun
It’s no fun
No fun

It’s no fun

No fun
It’s no fun
It’s not funny
I’m by myself
I’m alive

The Stooges, also known as Iggy and the Stooges, were an American rock band formed in Ann ArborMichigan in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Iggy Pop.[6]After releasing two albums—The Stooges (1969) and Fun House (1970)—the group disbanded briefly, and reformed with a different lineup to release Raw Power (1973) before breaking up again in 1974. The band reunited in 2003 until dissolving in 2016 following the deaths of Scott Asheton and saxophonist Steve Mackay. Ron Asheton participated in the reunion until his death in 2009.The Stooges are widely regarded as a seminal proto-punk act.[6][7][8] The band was inducted into the Rock and Roll Hall of Fame in 2010.[9] In 2004, Rolling Stone ranked them 78th on their list of the 100 greatest artists of all time.

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The Sex Pistols were an English punk rock band that formed in London in 1975. They were responsible for initiating the punk movement in the United Kingdom and inspiring many later punk and alternative rock musicians. Although their initial career lasted just two and a half years and produced only four singles and one studio album, Never Mind the Bollocks, Here’s the Sex Pistols, they are regarded as one of the most influential acts in the history of popular music.[1][2]

The Sex Pistols originally comprised vocalist Johnny Rotten (John Lydon), guitarist Steve Jones, drummer Paul Cook, and bassist Glen Matlock. Matlock was replaced by Sid Vicious in early 1977. Under the management of impresario Malcolm McLaren, the band provoked controversies that both captivated and appalled Britain. Their concerts repeatedly faced difficulties with organizers and authorities, and public appearances often ended in mayhem. Through an obscenity-laced television interview in December 1976 and their May 1977 single “God Save the Queen“, attacking Britons’ social conformity and deference to the Crown, they precipitated one of the more significant pop culture-based moral panics.

In January 1978, at the end of a turbulent tour of the United States, Rotten left the band and announced its break-up. Over the next several months, the three other band members recorded songs for McLaren’s film version of the Sex Pistols’ story, The Great Rock ‘n’ Roll Swindle. Vicious died of a heroin overdosein February 1979, following his arrest for the alleged murder of his girlfriend. In 1996, Rotten, Jones, Cook and Matlock reunited for the Filthy Lucre Tour; through 2008, they staged further reunion shows and tours. On 24 February 2006, the Sex Pistols—the four original members plus Vicious—were inducted into the Rock and Roll Hall of Fame, but they refused to attend the ceremony, calling the museum “a piss stain”.[3]

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(Something Inside) So Strong #SaveWILG

Dedicated to #SaveWILG campaigners everywhere.

To be fair to new First Minister Mark Drakeford, he is listening and making positive changes in the right direction. Solidarity to him and we look forward to working with the new look Welsh Labour in our quest to #SaveWILG.

The following song is about Apartheid in South Africa. Although I am not, in any way, trying to disrespect this, I do feel that this song has excellent lyrics that can also apply to the plight that disabled people find themselves in 21st Century Britain. I just feel it is a good rallying call to the 1,300 WILG recipients in the calamitous countdown to the end of the Welsh Independent Living Grant.

Things may look bleak at the moment, but the campaign is still going strong and we have some crucial irons with which to stoke the fire in the weeks ahead. Do not lose hope as things are certainly happening behind the scenes.

Please do not hesitate to contact me via the contact page above, or via Facebook or Twitter if you feel you can add to the campaign or would just like to find out more information.

 

According to Wikipedia, “(Something Inside) So Strong” is a 1987 single written and recorded by British singer-songwriter Labi Siffre. The song was one of the biggest successes of his career, and peaked at number four on the UK Singles Chart.[1]

The song was written in 1984, inspired by a television documentary on Apartheid South Africa seen by Siffre in which white soldiers were filmed shooting at black civilians in the street.[2] He told the BBC’s Soul Music programme in 2014 that the song was also influenced by his experience as a homosexual child, adolescent, and adult and his inner Chi.[3] Siffre originally intended to give the song to another artist to sing, but could find no one suitable and was convinced to release it himself.[2]

The song has remained enduringly popular and is an example of the political and sociological thread running through much of Siffre’s lyrics and poetry. It won the Ivor Novello Award for “Best Song Musically and Lyrically”, and has been used in Amnesty International campaigns, a television advertisement and Alice Walker‘s film against female genital mutilationWarrior Marks.

The song has been covered by many artists, including country singer Kenny Rogers who featured it on his 1989 best selling album of the same name, and also by Pop Idol contestant Rik Waller who reached #25 in the UK Single Charts with it in 2002.

The song was featured in an advertisement for the Peugeot 307 in 2001.

“(Something Inside) So Strong”

The higher you build your barriers
The taller I become
The farther you take my rights away
The faster I will run
You can deny me
You can decide to turn your face away
No matter, cos there’s….Something inside so strong
I know that I can make it
Tho’ you’re doing me wrong, so wrong
You thought that my pride was gone
Oh no, something inside so strong
Oh oh oh oh oh something inside so strong

The more you refuse to hear my voice
The louder I will sing
You hide behind walls of Jericho
Your lies will come tumbling
Deny my place in time
You squander wealth that’s mine
My light will shine so brightly
It will blind you
Cos there’s……

Something inside so strong
I know that I can make it
Tho’ you’re doing me wrong, so wrong
You thought that my pride was gone
Oh no, something inside so strong
Oh oh oh oh oh something inside so strong

Brothers and sisters
When they insist we’re just not good enough
When we know better
Just look ’em in the eyes and say
I’m gonna do it anyway [x4]

Something inside so strong
And I know that I can make it
Tho’ you’re doing me wrong, so wrong
You thought that my pride was gone
Oh no, something inside so strong
Oh oh oh oh oh something inside so strong

Brothers and sisters
When they insist we’re just not enough
When we know better
Just look ’em in the eyes and say
I’m gonna do it anyway [x4]

Because there’s something inside so strong
And I know that I can make it
Tho’ you’re doing me, so wrong
Oh no, something inside so strong
Oh oh oh oh oh something inside so strong

WALESPOSTCARDFRONT001

Pete Shelley Tribute: Day 6

On my Facebook page I was posting a week long tribute to the late, great Pete Shelley, but after four days I got waylaid and simply forgot to keep up these honorary posts.  Now that everyone is winding down for the Capitalist extravaganza I have some free time to catch up with this and will therefore continue to allow as many people as possible to enjoy his music.

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The Way is the ninth studio album by English pop punk band Buzzcocks. It was released on 1 May 2014. It is their final album to feature Pete Shelley before his death in 2018.

Reviews of this album were very mixed as you can see here and here.

To coincide with the release of the album, the band wrote a message on their website:

We’ve teamed up with PledgeMusic to give you privileged access to pre-order the new album plus other premium items such as the new album on signed CD or vinyl, the chance to attend a VIP “meet and greet” and even a signed guitar. Each and every one of these items and experiences comes with a high quality digital download of our ninth studio album, plus bonus tracks exclusive to PledgeMusic!

The new album will be officially released to the public in the summer but by pre-ordering you’ll get your copy much sooner. Throughout the pre-order period, you’ll also get free access to our ‘Pledgers Only’ updates here on PledgeMusic where you will be able to enjoy a load of exclusive extras, videos from the studio, interviews, demos and much, much more […] In addition to this, pledges will benefit Teenage Cancer Trust to help them continue the incredible work they do. So as you can see, there are so many great reasons to be a part of our new album from the outset. Thanks again for all your support over the years, Pete, Steve, Danny & Chris Buzzcocks

2014

5% of any money raised after the goal is reached will go to Teenage Cancer Trust.

As a fan, the fact that the album is a little disappointing could be forgiven due to past glories and the fact that the compilation does include fleeting examples of their musical abilities. Indeed, I was more interested in the PledgeMusic scheme and especially the chance to meet and greet my heroes post-gig at Warrington Parr Hall where Pete Shelley asked ME to sign a copy of my book, Every Silver Lining has a Cloud.

Whoever said you should never meet your heroes, obviously never met Pete Shelley…

Pete Shelley Tribute: Day 5

On my Facebook page I was posting a week long tribute to the late, great Pete Shelley, but after four days I got waylaid and simply forgot to keep up these  honorary posts.  Now that everyone is winding down for the Capitalist  extravaganza I have some free time to catch up with this and will therefore continue to allow as many people as possible to enjoy his music.

***

According to Wikipedia, “What Do I Get?’” is a single by punk rock band Buzzcocks and its B-side is “Oh Shit”. It provided Buzzcocks with their UK chart début, peaking at No. 37 on the UK Singles Chart.

It has been covered by a number of artists, such as Steve Lieberman and Therapy?. It makes an appearance in the video game Guitar Hero: Warriors of Rock and the movie Ghost World.