Syllables

Unwritten Rules

According to Wikipedia, Tanka (短歌, “short poem”) is a genre of classical Japanese poetry and one of the major genres of Japanese literature.

A Tanka consists of 5 lines and 31 syllables. Each line has a set number of syllables see below:

Line 1 – 5 syllables
Line 2 – 7 syllables
Line 3 – 5 syllables
Line 4 – 7 syllables
Line 5 – 7 syllables

This is my 128th poem of 2017 and I am well on my way to putting together a collection of poems to reflect the struggles of disabled people in 21st century Britain. I would like to publish these poems in a book to be released in 2018, and I am close to finding a team of illustrators to help me add images to my words and create the type of book that I envisage.  I am speaking with students from Glyndwr University who are interested in collaborating with me on this exciting project. Two of the talented artists who have agreed to illustrate my work are Julie Rogers-Owen and Heather Wilson. Samples of their work can be found by clicking on their names. There are other artists involved but I do not have links to their work at the moment. I hope to rectify this soon.

She’s the one for me

Not that she will ever know

Feelings stay hidden

Repressed in the burning bile

Until a ‘hunk’ steals my dreams

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You Couldn’t Make It Up…

According to Wikipedia, Tanka (短歌, “short poem”) is a genre of classical Japanese poetry and one of the major genres of Japanese literature.

A Tanka consists of 5 lines and 31 syllables. Each line has a set number of syllables see below:

Line 1 – 5 syllables
Line 2 – 7 syllables
Line 3 – 5 syllables
Line 4 – 7 syllables
Line 5 – 7 syllables

This is my 127th poem of 2017 and I am well on my way to putting together a collection of poems to reflect the struggles of disabled people in 21st century Britain. I would like to publish these poems in a book to be released in 2018, and I am close to finding a team of illustrators to help me add images to my words and create the type of book that I envisage.  I am speaking with students from Glyndwr University who are interested in collaborating with me on this exciting project. Two of the talented artists who have agreed to illustrate my work are Julie Rogers-Owen and Heather Wilson. Samples of their work can be found by clicking on their names. There are other artists involved but I do not have links to their work at the moment. I hope to rectify this soon.

Him? Really? You sure?

That charmless cockney bell-end?

Unbelievable

Hopes raised, dreams dashed, heart shattered

The better man lost, again

 

Going for Gold

According to Wikipedia, Tanka (短歌, “short poem”) is a genre of classical Japanese poetry and one of the major genres of Japanese literature.

A Tanka consists of 5 lines and 31 syllables. Each line has a set number of syllables see below:

Line 1 – 5 syllables
Line 2 – 7 syllables
Line 3 – 5 syllables
Line 4 – 7 syllables
Line 5 – 7 syllables

This is my 126th poem of 2017 and I am well on my way to putting together a collection of poems to reflect the struggles of disabled people in 21st century Britain. I would like to publish these poems in a book to be released in 2018, and I am close to finding a team of illustrators to help me add images to my words and create the type of book that I envisage.  I am speaking with students from Glyndwr University who are interested in collaborating with me on this exciting project. Two of the talented artists who have agreed to illustrate my work are Julie Rogers-Owen and Heather Wilson. Samples of their work can be found by clicking on their names. There areother artists involved but I do not have links to their work at the moment. I hope to rectify this soon.

Now that I’m a star

A campaigning tour de force

Who fights the good fight

Does this allow me access

To your naughty pleasuredome?

 

A Man In Demand

According to Wikipedia, Tanka (短歌, “short poem”) is a genre of classical Japanese poetry and one of the major genres of Japanese literature.

A Tanka consists of 5 lines and 31 syllables. Each line has a set number of syllables see below:

Line 1 – 5 syllables
Line 2 – 7 syllables
Line 3 – 5 syllables
Line 4 – 7 syllables
Line 5 – 7 syllables

This is my 125th poem of 2017 and I am well on my way to putting together a collection of poems to reflect the struggles of disabled people in 21st century Britain. I would like to publish these poems in a book to be released in 2018, and I am close to finding a team of illustrators to help me add images to my words and create the type of book that I envisage.  I am speaking with students from Glyndwr University who are interested in collaborating with me on this exciting project. Two of the talented artists who have agreed to illustrate my work are Julie Rogers-Owen and Heather Wilson. Samples of their work can be found by clicking on their names. There are other artists involved but I do not have links to their work at the moment. I hope to rectify this soon.

After so many short poems I am itching to write a longer verse that is not restricted by the number of syllables permitted. I now have the confidence to take on this challenge that has been inspired by the poetry of John Cooper Clarke. I am also worried that I am beginning to repeat certain phrases and feel that I need to work from a fresh palate. I will still be producing Tanka and Haiku poems, but feel the time is right to explore other forms of poetry.

Just to clear things up

Only my legs are defunct

Open to offers

But make sure you act quickly

I would hate you to miss out

Distant Dreams

According to Wikipedia, Tanka (短歌, “short poem”) is a genre of classical Japanese poetry and one of the major genres of Japanese literature.

A Tanka consists of 5 lines and 31 syllables. Each line has a set number of syllables see below:

Line 1 – 5 syllables
Line 2 – 7 syllables
Line 3 – 5 syllables
Line 4 – 7 syllables
Line 5 – 7 syllables

This is my 124th poem of 2017 and I am well on my way to putting together a collection of poems to reflect the struggles of disabled people in 21st century Britain. I would like to publish these poems in a book to be released in 2018, and I am close to finding a team of illustrators to help me add images to my words and create the type of book that I envisage.  I am speaking with students from Glyndwr University who are interested in collaborating with me on this exciting project. Two of the talented artists who have agreed to illustrate my work are Julie Rogers-Owen and Heather Wilson. Samples of their work can be found by clicking on their names. There are other artists involved but I do not have links to their work at the moment. I hope to rectify this soon.

After so many short poems I am itching to write a longer verse that is not restricted by the number of syllables permitted. I now have the confidence to take on this challenge that has been inspired by the poetry of John Cooper Clarke. I am also worried that I am beginning to repeat certain phrases and feel that I need to work from a fresh palate. I will still be producing Tanka and Haiku poems, but feel the time is right to explore other forms of poetry.

Running the same race

To capture your golden heart

Starting from the rear

Lesser men overtake

You disappear into dust

Love You More

Haiku is a genre of classical Japanese poetry and one of the major genres of Japanese literature. A Haiku consists of 3 lines and 17 syllables. Each line has a set number of syllables see below:

Line 1 – 5 syllables
Line 2 – 7 syllables
Line 3 – 5 syllables

This is my  15th Haiku poem of 2017 and – along with the 108 Tanka’s I have written so far – I am well on my way to putting together a collection of poems to reflect the struggles of disabled people in 21st century Britain. I would like to publish these poems in a book to be released in 2018, and I am close to finding a team of illustrators to help me add images to my words and create the type of book that I envisage.  I am speaking with students from Glyndwr University who are interested in collaborating with me on this exciting project. Two of the talented artists who have agreed to illustrate my work are Julie Rogers-Owen and Heather Wilson. Samples of their work can be found by clicking on their names. There are other artists involved but I do not have links to their work at the moment. I hope to rectify this soon.

After so many short poems I am itching to write a longer verse that is not restricted by the number of syllables permitted. I now have the confidence to take on this challenge that has been inspired by the poetry of John Cooper Clarke. I am also worried that I am beginning to repeat certain phrases and feel that I need to work from a fresh palate. I will still be producing Tanka and Haiku poems, but feel the time is right to explore other forms of poetry.

Destroyed by false hope

These cruel expectations

 Remain unrealised

Never Judge A Book…

Haiku is a genre of classical Japanese poetry and one of the major genres of Japanese literature. A Haiku consists of 3 lines and 17 syllables. Each line has a set number of syllables see below:

Line 1 – 5 syllables
Line 2 – 7 syllables
Line 3 – 5 syllables

This is my  14th Haiku poem of 2017 and – along with the 108 Tanka’s I have written so far – I am well on my way to putting together a collection of poems to reflect the struggles of disabled people in 21st century Britain. I would like to publish these poems in a book to be released in 2018, and I am close to finding a team of illustrators to help me add images to my words and create the type of book that I envisage.  I am speaking with students from Glyndwr University who are interested in collaborating with me on this exciting project. Two of the talented artists who have agreed to illustrate my work are Julie Rogers-Owen and Heather Wilson. Samples of their work can be found by clicking on their names. There are other artists involved but I do not have links to their work at the moment. I hope to rectify this soon.

After so many short poems I am itching to write a longer verse that is not restricted by the number of syllables permitted. I now have the confidence to take on this challenge that has been inspired by the poetry of John Cooper Clarke. I am also worried that I am beginning to repeat certain phrases and feel that I need to work from a fresh palate. I will still be producing Tanka and Haiku poems, but feel the time is right to explore other forms of poetry.

Hidden in plain sight

Patronise at your peril

Talent in disguise